Look at this map from the program for the 1953 National Sports Car Races at Lockbourne Air Force Base in Columbus, Ohio and try and tell me that it isn’t perfect. What could have that family returning from the rest rooms so grumpy, I daren’t guess.
Bring back the airport races!
The States has less of a tradition of the town-to-town races that were a major part of the early European races and gave us such glorious examples as the Mille Miglia, Targa Florio, and the countless other events that laid the foundations for the Grand Prix events to follow. One shining example of this breed of motorsport, however, did stake it’s claim to the format statesite: The Vanderbilt Cup.
The race was run in its original form between 1904 and 1911 through a series of towns in Nassau County, Long Island; largely on roads that still exist today—although I think that the Massapequa Road leg has since been removed (can any Long Island locals confirm that?). Thankfully, this map will make recreating the paths of a hundred years ago quite easy. What I love about the public road courses is that each morning, hundreds of commuters toil along not knowing the magnificent men and machines that blazed the same trail in very different circumstances. This map may look very workmanlike and unembellished compared to others we’ve looked at in the Track Maps of the Past series, but I adore it just the same.
We’ve long been fans of the hand-illustrated track maps of years gone by, and that of course extends to this Pit Map of the Tribunes from the 1921 24 Heurs du Mans. (Update: as a commenter pointed out below, there was no 24 Hours of Le Mans in 1921—nor would there be for another 2 years—this material is all from the ACF Grand Prix, which largely used the same facilities as the eventual 24 hour race – Thanks for the clarification, Dan)
It’s graphically beautiful. In a modern world of graphic design software and precision digital printing presses, I’m always impressed by the incredible graphic design expertise of those who did without them. this hand-set type is beautiful, and the lines precise enough to go up against anything the Creative Suite has to offer.
Found at The Nostalgia Forum, which also turned up these printed artifacts from the ’21 LeMans, a track map and program cover. Always great information over there.
Usually in our ‘Track Maps of the Past’ series I try to feature beautifully rendered maps from historic racing programs. There’s always a lot to choose from, as the hand illustrated track maps of the age before satellite views tend to just have more soul than the long-on-accuracy-short-on-spirit CAD rendered maps of today. It isn’t the illustration of this track at Paramount Ranch, though, that drew me in. It isn’t amazingly well rendered or beautiful. It’s is fairly ordinary in its execution and presentation. What it does have though, is the benefit of a marvelous feature of the Paramount Ranch race track: it has a tunnel.
There’s something magical about a track that loops back in on itself, tucking under competitors and passing, figure-8 style, beneath the action above. It recalls the classic Monza, with a tunnel under one end of the banked oval. I can understand why this once enduring track feature went away. It is not, after all, easy to blend run-off areas and kitty litter with bridge abutments. But damn if it isn’t just cool. There is — and I’m talking to the track designers out there when I say this — a reason why almost every slot car track you can find on toy store shelves has a crossover. It’s just cooler that way.
I’ve said it before, and I’ll say it again. People just don’t put the care into track maps that they used to. This isometric illustration of the track at Riverside is impressive. Before we had Google Maps’ satellite view, we had illustrators. When it comes to track maps, I’m not so sure we’re better off.
Track maps have sure taken a turn for the worse since this illustration of the Swedish track Karlskoga, Gelleråsen. It’s absolutely fantastic. Dig the illustrated saloon cars racing around the front straight. Perfect.
Compare with the modern official map, and mourn the passing of elegance and style.
