World Champion in Training
You can almost see Senna’s passion and drive through his helmet—and his years.
You can almost see Senna’s passion and drive through his helmet—and his years.
Flickr user Biczzz has created this astoundingly nuanced sculpture of Ginther’s 1965 Honda RA272 from simple Lego. The level of detail Biczzz has managed to achieve here is really incredible. Sure, I’ve made my share of blocky Lego cars, but these gentle curves, the suspension bits, the windscreen! I’ve seen die-cast models with less detail.
Maybe with some practice, I could make a generic 60s F1 car from Lego. But this isn’t a generic 60s F1 car. You can plainly recognize it as the car that took Honda’s first victory in Mexico. Overcoming the constraints inherent in sculpting from Lego and still managing such a finely crafted result is absolutely fantastic!
Previously: Flying Bricks
How long to you think this palm tree would last in a contemporary racing circuit’s stands?
(Rudolf Caracciola in his Mercedes-Benz 1.5 liter W 165. Tripoli Grand Prix, May 7, 1939)

Luc Ghys’ photos from events around continental Europe are always magnificent, so you can imagine how pleased I was when an email from him popped up letting me know about his snaps from the Goodwood Revival. I was immediately drawn to this set he shot of Goodwood’s event remembering Fangio. Usually when I think of the Revival I inevitably immediately jump to all the imagery I can find of the legendary TT revival and the high-performance high-beauty high-dollar machines.
This eclectic mix of cars from El Meastro’s past, however, reminded me of something vitally important, and something I so love about the era: Variety. Just look at this mix of machines; and this is by no means a complete collection of Fangio’s racers. There’s everything here: from the Grand Prix cars for which he’s most known, to the Carrera Panamericana and Mille Miglia machines, to smaller voiturette racers. Almost more amazing than Fangio’s five Formula 1 World Championships is that while he was winning them, he was also competing in anything else he could find.
Just look at the buzz that gets generated today when Montoya moved to NASCAR, or Raikkonen hit the rally course (or NASCAR, himself). I applaud these drivers for attempting to take on the variety of racing opportunities available to these top-tier drivers. But that excitement wanes when I consider that this is newsworthy at all. Of course Kimi should want to rally! Of course JPM should want to turn left for two hours! These cravings for new races and racing cars still exist in every driver; it’s just a shame that contemporary racing teams seem to frown on these “unnecessary extra-curriculars”.
Not so in Fangio’s day. Thank you Goodwood for reminding us. Thank you Luc for sending along these images so we could all see.

More of Luc’s Goodwood Fangio Tribute and Revival photos at his (gigantic) gallery of racing photos.
This video promoting the new F1 circuit in Austin Texas starts off expectedly enough: Shots of Texas; DC at the wheel of a Red Bull spinning around Austin’s empty city streets. Just as I was beginning to tire of it, Coulthard pulls off the road and onto a very under-construction track. Turns out contemporary F1 cars are tougher than I thought.
Well done, Red Bull.

When you see Sebastian Vettel and Jensen battling, you just see the car. You don’t see any emotion on the track. Sometimes an angry arm will come up, but for the most part it’s a car and a helmet. It could almost be remote controlled (some would say it is too remote controlled—zing!).
This image of José Froilán González ahead of Ascari in their Ferraris though, smacked me upside the head with what we’ve lost by hiding the drivers. José and Alberto here could be a couple of kids in their go karts or BMX bikes. They look determined; but they also look like they’re having a hell of a good time. Even though their faces are obscured by shadow and photographic noise, their body language: leaning, elbows out, face poking around the windscreen. They really look like their minds, their hearts, their souls are out there on the race track. They look like they’re having an absolute blast.
The fact that Silverstone of 1951, in this photo anyway, looks like you could have assembled this course in a parking lot with some cones. It just accentuates the fact that this marvelous sport was once just a bunch of guys wanting to find out how fast she’ll go and got together to put on a race.
Let’s not forget to have fun out there, people.

When you’re born in Brescia it only makes sense that you’ll become a racing driver. I’d say that this pipe may have been Felice Bonetto’s lucky charm, but it’s worth noting that he was disqualified from the 1952 German GP at the Nurburgring—where the above photo was snapped. Maybe he already knew he was disqualified and thought, “The Hell with it, I may as well enjoy a lovely drive around the Eifel Mountains. Now where is my pipe?”.
It would be only a year later that Felice’s drive would be anything but leisurely while leading the 1953 Carrera Panamericana for Lancia. It sounds a bit apocryphal, but Benetto reportedly marked dangerous corners along the route with blue signs. It was at one of these locations—despite this care in marking these corners—that Felice would take a 60mph corner at 125. Bonetto swerved his Lancia D24 into a building and was killed at the scene.
Teammate Fangio went on to win.
More on the Carrera Panamericana Blog.
This single image of Fangio at the wheel of his 250F says more about the soul and spirit of classic motorsport than I can hope to write in a lifetime.
Hard to imagine something better than this for your garage automotive studio wall.
Coys is offering this Jay Burridge sculpture as part of their upcoming Nurburgring auction on 13th August 2011. Look closer though, this isn’t just a sculpture inspired by Ayrton Senna’s MP4/6. It’s made OF one of Ayrton’s MP4/6s.
McLaren Formula cars are not in collectors’ hands—like the early Ferrari formula cars, each is dismantled for post-race analysis and reused or destroyed. This bodywork, though was given to Jay by Ron Dennis as the source material for the sculpture and even shows signs of wear from race use. There are peeling sponsor stickers, there are nicks and scratches from a weekend’s race.
The unfortunate timing of the completion of the sculpture, however, forced it into storage. Props to Burridge and Ron Dennis for not selling the sculpture in the wake of Senna’s death. Instead the sculpture seems to have been displayed at a corporate event, then hidden away—reemerging in ’04 for a Senna tribute at the Goodwood Festival of Speed.
Coys estimates it will bring €35,000 – €45,000. More at their lot details page.