Archive for the ‘Ferrari’ Category
The Monday after Monterrey weekend, you’ll be bombarded by these photos and the accompanying headlines from the media regarding how much this Ferrari 250 GTO will sell for at Bonham’s Quail Auction. For just a minute, lets ignore the investment grade of this hotly desired piece of kinetic sculpture. Lets ignore the sound business rationale that might drive this purchase—and will certainly drive the journalists that write about it post-sale. Let’s simply pause for a moment before that frenzy begins and just appreciate this gorgeous GTO for what it is: an incredible example of a beautiful racing car.
Let’s just cross our fingers and hope her new caretaker gets her out of the vault and onto the track occasionally.
More information at Bonham’s lot detail page.
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The F40 is iconic for a lot of reasons. It was the last Ferrari to be created under Enzo Ferrari’s direct supervision. It was a perfect moment at the height of the old fashioned—some say purer—supercar (old fashioned in that it was without much in the way of onboard computerized driver aids). It isn’t bad to look at either.
When the Japanese magazine Car Graphic was asked to make this promotional video for the Ferrari F40 in 1987, they may have produced something just as unique as the F40 itself… Something we’re unlikely to ever see again. I’d bet that this is as close as we’ll ever get to a Ferrari television ad.
You know… as good as it looks, the view pales in comparison to the sound.
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Justin Lapriore has returned to Amelia Island for their 2014 concours and, just as in previous years, has created an absolutely stunning document of the event.
I can think of worse ways to start the day than rising before dawn with a Ferrari 330 P4. I love that the owner has that license plate. Hell, I love that he even has it plated.
You can really see that Justin’s reputation within the Amelia participants has grown alongside his growing video artistry. What used to be beautifully shot scenes of the cars simply passing by has expanded to give him a greater level of access: clipping a camera on the wing of Jochen Mass’ McLaren or going handheld inches off the bumper of Can-Am cars as they roll out of garages and along fairways. Wonderful, close detail shots with equally enthralling exhaust notes. Riding shotgun with Hurley Haywood ain’t bad either.
An aspect of the film that I enjoy is that the pure glory of these machines shares the stage with shots of the people that make these events happen. You start to get an idea of how much work a concours d’elegance truly is.
It’s one thing to gain this level of access, it’s another thing to do something with the opportunity. Justin Lapriore has delivered again on that front and many others. Great stuff, Justin.
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It looks like you can get a LOT closer to the stars at the Maranello Ferrari Museum than I would have thought. Mattia Merli shot this remarkable collection of F-car details three years ago, so they might have come to their senses in the meantime. Then again, this footage looks like it pre-dates the newer architecturally marvelous facility. I’m not sure I’d be able to resist climbing into the pilot’s seat without at least a symbolic barrier between me and these gorgeous prancing horses.
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From the Cinecetta soundtrack, so the gorgeous machines, to the charm of the man at the heart of this short documentary, “Porsche, Ferrari, Bizzarini and Other Fundamental Steps in Life” is beautiful and romantic.
Luciano Rupolo is absolutely inspiring. I envy those that were able to get into vintage racing in the 70’s; a time when you could buy a car like a Giannini 750 Sport as a teenager.
The man has built a hell of a garage in the years since. I love his admiration for his cars, his reverence for his cars, but also his more carefree attitude about them. I equally cringe and applaud when he spins donuts alongside a brick wall in his Iso Grif Competizione or sets his metal cornered briefcase on the bonnet of his Ferrari 250 GT/E. Be sure to watch through his story of finding and restoring what is arguably the oldest Porsche in the world.
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Seeing vintage images from Goodwood really drives home how good a job the Goodwood organization has done in keeping the spirit of the old track very much alive. I can almost shift these photos to color in my mind thanks to the coverage and imagery from the contemporary Goodwood races.
Some of these photos (maybe all of them?) are by Alan Smith, who has prints available at Rosenstiel’s.
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Artist Fabian Oefner creates the illusion of beautifully exploding machines using a combination of modelmaking, sketching, photography, and digital manipulation. They’re almost balletic in how delicately they’re presented.
The results are still arrestingly beautiful, but part of me was disappointed to see that these are more Photoshop than sculptural. How fantastic would that exploded P4 look on your mantle as a physical object in the vein of a small scale version of Jonathan Schipper’s “Slow Inevitable Death of American Muscle”? Time to break out the Testors.
via Top Gear.
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24 minutes of Fangio footage… No clever title nor caption needed.
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Stance Works photographers visited the Pebble Beach Concours d’Elegance and the results are magnificent. Somehow I think that photographers Mike Burroughs and Andrew Ritter made the slightly gloomy weather work to their advantage. Beautiful images. Click on over to Stance Works for the complete gallery.
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This past weekend was the CSRG Charity Challenge race and was by all accounts a resounding success. With near record participation and incredible all-time record attendance by spectators, the event increased their charitable donation to Sonoma Chapter of the Speedway Childrens Charities by more than 40% over last year. Congratulations, CSRG!
Unfortunately, the weekend’s successes coincided with the passing of founding CSRG member David Love. His 1957 Ferrari Testa Rossa has been a mainstay of west coast events for decades. The Charity Challenge was no exception. David always believed that the race weekends were about the cars, with the drivers taking a back seat. In a way, it’s beautiful that the car was there. There’s something haunting, though, about this image of the car paddocked for the weekend. It’s as though the car is serving as her own eulogy.
It really says something about David’s commitment to vintage racing that arrangements were made for the car to be a part of the event even though he could not. David’s remarkable spirit that he brought to vintage racing carries on.
More photos from the event below. I’m glad that CSRG’s communications of the event remain celebratory for the fantastic race weekend.
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